The Vivisector

Synopsis

Hurtle Duffield is incapable of loving anything except what he paints. The men and women who court him during his long life are, above all, the victims of his art. He is the vivisector, dissecting their weaknesses with cruel precision: his sister’s deformity, a grocer’s moonlight indiscretion and the passionate illusions of his mistress, Hero Pavloussi. Only the egocentric adolescent he sees as his spiritual child elicits from him a deeper, more treacherous emotion.

Author Biography

Patrick White was born in England in 1912; and taken to Australia (where his father owned a sheep farm) when he was six months old, but educated in England, at Cheltenham College and King’s College, Cambridge. He settled in London, where he wrote several unpublished novels, then served in the RAF during the war; he returned after the war to Australia.

He became the most considerable figure in modern Australian literature, awarded the Nobel Prize for Literature in 1973. The great poet of Australian landscape, he had turned its vast empty spaces into great mythic landscapes of the soul. His position as man of letters was controversial, provoked by his acerbic, unpredictable public statements and his belief that it is eccentric individuals who offer the only hope of salvation. Technically brilliant, he is one modern novelist to whom the oft-abused epithet ‘visionary’ can safely be applied. He died in September 1990.

His novels include: Happy Valley, The Living and the Dead, The Aunt’s Story, The Tree of Man, Voss, Riders in the Chariot, The Burnt Ones, The Solid Mandala, The Vivisector, The Eye of the Storm, The Cockatoos, A Fringe of Leaves, The Twyborn Affair and Three Uneasy Pieces. Patrick White was the editor of Memoirs of Many in One, and published a volume of autobiography, Flaws in the Glass.